For one night only Dance Consortium and Como No present
Danza Contemporánea de Cuba at Barbican Hall during the company's UK Tour 2017
Google signed an agreement with the Cuban government on Monday granting internet users on the island quicker access to its branded content.
At Havana's La Tropical, the historic, famously funky outdoor beer garden that is the high temple of dance music in Havana, several thousand Cubans and foreigners were dancing away to Revé y Su Charangón, the headline attraction of the final night of the 2016 Baile en Cuba festival.
You can hear Harold Lopez-Nussa's training when he plays. The 33-year-old pianist is reluctant to admit the classical influence on his jazz playing, but he's quick to acknowledge that he, like many other great Cuban pianists, was classically trained. "This is the school that we have to learn music in Cuba; it's classical," he says. "I did all my stuff there from 8 years old to 25."
Pedro Perez Sarduy is a poet, writer, journalist and broadcaster who worked for Cuban radio 1965-79 and with the BBC Latin-American Service 1981-94. He's now based in London. He spoke to BBC World News Anchor Lebo Diseko about Cuba's Latin-African identity, AfroCuban culture and racism, slavery and Cuba's close ties with African countries.
There have been a number of AIDS-themed films over the years, but you'll hardly find one quite like "The Companion." This story of an unlikely friendship in a uniquely Cuban setting provides a fascinating window to the past. And with the film's selection as the official Cuban entry for the Oscars, director Pavel Giroud hopes to share its empathetic message to the world.
The UNESCO Intergovernmental Committee, met in Ethiopia, has today decided to include ˜Cuban rumba'' in the list -Intangible Cultural Heritage of Humanity-, recognized as a ''festive mixture of music and dance''.
Cuban intellectuals and artists expressed total identification with the ideas of the historic leader of the Cuban Revolution, Fidel Castro, when they rendered posthumous tribute in this city east of the island.
A chilly late autumn night in Sussex was set on fire last month when violin virtuoso Omar Puente and his Afro-Cuban combo performed at the Ropetackle Arts Centre in Shoreham-by-Sea (October 14). Omar has been a fixture on the UK jazz scene for 20 years but the new album he is currently promoting on tour, "Best Foot Forward", takes his work to another level. His fans are in for a real treat if they can make it to any of his upcoming gigs.
Today Cuba is in the midst of an artistic boom. Some have even suggested that the island is in a state of ‘artistic overproduction'. At the Havana Art Biennial in May 2015, visitors were overwhelmed by the incredibly diverse, complex, sometimes provocative, and often humorous art work. For a month Havana was awash with art – inside galleries, and in every imaginable space outside.
The US blockade continues to set up obstacles for the Culture Sector's scope and for the development of the country's cultural heritage. In the 12 months to June 2016, this policy has cost Cuba $29,483,800 dollars. The U.S. market could be the principal source of supplies for a significant group of raw materials, materials, tools and equipment with which the country's artists, artisans and designers work if the blockade did not exist. But these products have to be imported by Cuban institutions from third countries, thereby involving prices that are up to 40 percent higher.
Read up on important books on Cuba for Black History Month – history, politics, poetry, fiction, testimonial
During Cuban Culture week, art companies and organizations including the experienced and award winning Guantanamo Guiñol and members of the Hermano Saiz Association will take their talents to the areas affected by Hurricane Matthew aimed at offering hope and support to the people.
The Provincial Culture Office promotes this solidarity art brigade called Juan Marinello appreciated by the people of Baracoa, Maisi, San Antonio del Sur and Imias and which will also include the traditional musical groups Celso and its Changui.
This set of 8 short stories won well known Cuban writer, Aida Bahr, the Alejo Carpentier Short Story Prize and the National Critics prize when first published in Cuba. This version has the stories in the original Spanish as well as translated into English.
On arriving in the UK in 1997, the virtuoso violinist Omar Puente had already been leader of the Cuban National Symphony Orchestra as well as touring with artists from the Buena Vista stable. This typically Cuban approach of exploring all musical avenues, coupled with a phenomenal technique, resulted in Omar establishing himself as one of Cuba's most distinguished artists.

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