New generation of Cuban visual artists chronicle their times

With an aesthetic and conceptual contribution that covers diverse forms of expression, young artists Pedro Pablo Bacallao and Claudia Corrales irrupt onto the network of visual creation in Cuba. Their most recent solo shows, inaugurated at Havana's Provincial Center for Visual Arts and Design, reveal a firm intention of analyzing contemporary society starting from a critical standpoint expressed on multiple supports.

Cuban Film Institute to produce Fourteen Fiction Films in 2014

Cuban fiction film will premiere this year fourteen films of different genres, approaches, styles and aesthetic aspiration. At present, Cuban film is on the right track. I dare to say so especially after looking at some years back. I consider that Cuban film, characterized by its diversity and richness, has opened a wide range of tendencies and approaches. Many proposals are being made by the young, while acclaimed directors are taking us by surprise with their current projects.

Leading actors from stage and screen to join Alice Walker & Rene Gonzalez on stage at Voices for Cub

Leading actors from stage and screen will join Alice Walker and Rene Gonzalez on stage at the Voices For Cuba concert on Friday 7th March at the Barbican Centre.
Frances de la Tour, Susan Wooldridge, Charlotte Cornwell, Adjoa Andoh, Sam West and Jonathan Pryce will read from the letters and poems of the Miami 5 and their families.In the presence of some of the family members themselves, the actors will bring to life the moving exchanges between the Cuban men and their loved ones back home during their long years of incarceration.

Cubans celebrate Chinese culture in Havana

Dragon dances on the streets of Chinatown along with other celebrations, have become annual events in Havana to mark the Chinese Lunar New Year. Cuba once had the largest Chinese population in the Americas outside of San Francisco, California. Very few remain today, but Chinese culture still exerts a strong and visible influence on this Caribbean island.
Early every morning – in parks all over Havana – Cubans gather to practice the Chinese so-called "soft" martial art, T'ai Chi. Many doctors here recommend it to their elderly patients.
Various forms of traditional Chinese medicine, including acupuncture are also widely available from the Cuban National health service.
Another popular pastime is Wushu or Kung Fu. Cuba's links to China go back to the middle of the nineteenth century when the first boatload of immigrants landed here in 1847.
Historian Theresa Maria Li is a director of the Chinese Cultural Center in Havana.
"This was a time when the battle was on to end the slave trade and the option was to bring in Chinese peasants. They arrived in massive numbers and were assigned to work in the sugar plantations as well as the tobacco and coffee fields." Theresa Maria Li, Cuban Chinese Historian said.
Around 130 thousand Chinese were shipped here to work as indentured labor in the fields-and they were often treated as badly as the slaves.
There are still Chinatowns in Havana and several other Cuban cities-and some of their clubs and societies have managed to survive. But these were mainly developed by later immigrants who arrived in the 20th century.
Very few ethnic Chinese Cubans remain. Almost all of the original laborers shipped here during the 19th century were single men who ended up marrying former slaves. Today their presence can be seen in the thousands of Cubans who have Afro Chinese ancestry.
In recent years the two countries have forged strong economic and political ties. China is Cuba's second largest trade partner after Venezuela. But it's a history which goes well beyond commercial and ideological ties.

Carlos Acosta is exploring a life beyond ballet – review of his first novel

Carlos Acosta is exploring a life beyond ballet. Pig's Foot is the novel he created as he escaped into his own world of story telling whenever he had spare time in his hectic schedule of rehearsals and performances. The idea for the novel began with its title. Acosta imagined a tiny hamlet in a remote part of Cuba, somewhere between the Sierra Maestra and El Cobre. Apparently he never read a book before the age of 25, but then discovered the Latin American greats, especially Gabriel García Márquez. This novel reveals that inspiration, with its magical realist overtones. The village of Pata de Puerco (Pig's Foot) evokes Macondo in Marquez's ‘100 years of Solitude' – a place of incredible characters, and strange happenings and a village "where anything is possible".